The coast made the argument · we keep the score · est. the second the break looped
Recording studio · Baltimore

Wright Way Studios

Four-room Baltimore facility offering recording, mixing, mastering and studio rental to outside engineers, listing hip hop among the genres its staff work in.

Where
425 Fawcett St. Baltimore MD 21211
Rate
Not published. Ask the studio for a quote.
Services
  • Recording
  • Mixing
  • Mastering
  • Re-amping
  • Studio rental
  • Voice-over and podcasts
Rooms
Studio A · Studio B · Studio C · Studio D
Gear listed
SSL 4056 G/G+ console · Pro Tools HDX · Logic Pro X · ATC SCM45A monitors · Urei 813C monitors · Yamaha NS-10
Website
wrightwaystudios.com
From the studio’s own site

What to know before booking

Wright Way publishes four separate rooms. Studio A has the SSL console and a live room; Studio B uses Avid control surfaces and a separate live room. The studio describes C as a smaller tracking room designed primarily for vocals and overdubs. Its site invites outside engineers to discuss room rental, but does not post an hourly rate. Ask which room and engineer suit your session and get the rate in writing.

Where this comes from

Everything above is from the studio’s own website, checked Oct 27, 2026. Pages we read:

EastCoastRappers.com is not affiliated with Wright Way Studios, and listing is not an endorsement. This listing is free and unpaid. Rates and rooms change, so confirm with the studio. Something wrong or out of date? Tell us.

Before you book

Six questions.
Every room.

  1. What the hourly rate coversAsk whether an engineer is included or billed separately, and whether setup and bouncing count against your hours.
  2. Minimums and blocksA lot of rooms sell two-, four- or eight-hour blocks. Know the minimum before you plan a one-song session.
  3. Deposit and cancellationGet the deposit amount, the cancellation window and what happens if you run late, in writing, before you pay anything.
  4. What you walk out withA rough bounce, vocal stems, or the full session files? Say which you need, and in what format, when you book, not at the end of the night.
  5. Bring the beat rightBring a WAV of the instrumental, plus stems if you have them, at the producer’s sample rate. An MP3 off a YouTube upload costs you mix quality you can’t get back.
  6. Paper the splits before you leaveIf anyone else in the room wrote or produced, fill out a split sheet while everyone is still there.